Julie Santini composes her own piece about the four short works of Line Up A at the Freestanding Festival.
Raise the Stakes’ production of the Bald Soprano is funny, risky, and instantly charismatic.
Unseamly shows an uncomfortable side of the fashion industry and provokes a reaction, but not necessarily a welcome one.
The Segal’s world premiere of Hinton’s adaption of Chekov’s The Seagull is moving and beautiful acted.
Bob is a middle-aged political theory professor who is about to take his midterm on ethics, as given by God herself.
McGill’s Tuesday Night Cafe presents Anilouh’s version of the Antigone with Creon as a sympathetic character.
China showcases its artists and performing groups in a series of events that bring music, dance, song, and acrobatics to Place Des Arts this February.
Montreal’s first improv mini series set on the American frontier, Wild Heart Acres, begins its four month run now.
You already know how it ends (the full monty, of course), but the fun is watching six lovable, unemployed men learn about themselves while creating a strip tease act.
Montreal has a new musical out this week about a young man coming to terms with his sexual orientation. We talk to playwright and director Trevor Barrette about the show.
Growing up in the hometown of Shania Twain is hard enough. Now add to that being the new kid at school and having a glass eye…
First time playwright Michael Martini explores the complexity of female ambition and the relationship between Glamour and Mental Illness in two new plays.