Rosas incarnate Coltrane’s A Love Supreme
Nancy Berman reviews A Love Supreme by Anne Teresa De Keersmaeker and Salva Sanchis, presented by Danse Danse.
Danse Danse
Who knew monks could dance?
In Sidi Larbi Cherkaoui’s Sutra, 19 Shaolin monks from an ancient temple near Dengfeng, China, perform hair-raising feats of martial prowess honed over a lifetime of [read on]
Legend Lin Dance Theatre’s Eternal Tides: the virtuosity of stillness
I have never seen anything like this. The stage is hung with long white translucent panels. Just in front of the stage, a candle burns on a sort of shrine. On each [read on]
Danse Danse presents Hofesh Shecter’s Grand Finale: an absolute must see
Many years ago I met a young man from Tel Aviv. I asked him what it was like to live in a place where bombs regularly go off in night clubs, pizza parlors, and crowded [read on]
Marie Chouinard’s Garden of Earthly Delights: The Ecstasy of Creation
When was the last time you took a good look at Hieronymous Bosch’s early 16th-century painting “The Garden of Earthly Delights?” I mean, really looked at it, at all the [read on]
Akram Khan’s Until the Lions: Love, Kill Bill style
“Until the lions have their own historians, the history of the hunt will always glorify the hunter.” In Akram Khan’s new work, Until the Lions, he explores the tension [read on]
Ohad Naharin’s “Last Work”: Mind. Blown.
Nancy Berman reviews Ohad’s mindblowing “Last Work,” for Batsheva Dance Company, part of the Danse Danse season.
Nederlands Dans Theatre: highlight of the Danse Danse season
Thanks to Danse Danse, for the first time in 20 years, the Nederlands Dans Theater (NDT) is back in Montreal, with a stellar triple bill line-up featuring two works [read on]
Flamenco and the feminine
Danse Danse opened its 19th season Thursday evening in Salle Wilfrid-Pelletier with a breathtaking flamenco reimagining of Carmen. The female protagonist in Prosper [read on]
Marie Chouinard’s Animalistic Homage to Spring
Two choreographies get at the beastly and rutting side of human nature that aggressively rises in spring.
Swan Lake Subversive
Dada Masilo reinvents the classic by mixing ballet and African dance, but the challenges in this excellent show don’t stop there.