Through My Brown Gay Lens: LGBTQ+ rights in India and the death of Section 377
Karan gives context and reflects on the Indian Supreme Court’s overturn of Section 377
Karan gives context and reflects on the Indian Supreme Court’s overturn of Section 377
What does India mean on the anniversary of its independence from British rule.
Karan ponders where is the place for non-nationalists in the new global climate
Andrew Potter’s controversial article and resignation raises questions about free speech.
While efforts to to increase the presence of visible minorities in film awards like the Oscars are noted, Hollywood still has a whitewash at the top.
Watching the US election brings to mind questions about the changing world we live in.
Does the phrase “Person of Color” ignore the experiences of individual racial and ethnic groups in North America?
The events in Orlando are the latest manifestation of ongoing ignorance. Karan has a proposal how to address this ignorance in all its forms.
Finding a spot in Tokyo that is open to gay foreigners reveals both what is cross-cultural and what is specific in lgbtq culture.
Animated film praised for handling difficult topics suffers from its own prejudices and stereotypes.
Is the solution to Hollywood’s “whitewashing” problem to hire more actors of colour or is it to eliminate colour and normativity as deciding factors in casting?
Karan proposes a solution to the problem of the Oscar’s tradition of picking white men for nominees.
Inventive film is the best metaphor for 2015.
We are all fighting a challenging war on many fronts. Now is not the time for apathy.
The myth of equality and the reality of equality are two different things for a brown, gay immigrant and other peoples of colour.
It’s not easy to pick a candidate when you’re brown and gay and your options are Mr. Oilsandman, Mr. Smileyface, Mr. Pretty Hair, Madame Green Activist, and Mr. Independence Man
The performance of a drag king prompts self-reflection on the limitation of gender binaries.
In wake of the recent decision to legalize same-sex marriage in the US, Sinj reflects on how he reached his conclusions on the topic.
When Sinj came to Montreal to be a filmmaker, he wondered if and where he would find his people.
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