Krump, Cello, Macramé, and Violence
Three experimental pieces intrigue and delight. [read on]
Three experimental pieces intrigue and delight. [read on]
As a film music fanatic, it’s a rare treat to be able to see a composer in concert. Hans Zimmer is probably the most suited to take his music to the arena stage: he uses [read on]
Nisha Coleman’s new book follows her first year and a half as a busker on the streets of Paris, from her precarious arrival in the city to her thriving life. [read on]
Sexism is alive and well in the music industry. So stop complaining when a journalist celebrates a woman who plays better than the boys. [read on]
Dancer Eva Kolarova talks to Nancy Berman about working with composer Reiko Yamada and film director Luciana Markos to create her new work Cycles. [read on]
Rachel Burman and Opera FOE are transforming opera and have a kickstarter campaign to prove it. [read on]
With sample-tinged, folk-orchestral-dance-dreamy-pop, Lydia Ainsworth just released her debut album that shines and sparkles. [read on]
Jean Michel Pigeon talks about the origins of Composite. [read on]
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