Michel Tremblay’s For the Pleasure of Seeing Her Again is written with wit, humour, and compassion by a mature and confident playwright. Tremblay unveils the magical relationship he enjoyed with his enchanting frustrating and delightful [read on]
Outstanding and surprising play about a family with some unusual traditions from Tiago Rodrigues [read on]
The National Theatre School of Canada is proud to bring us a play by Jessica Swale that the life of Nell Gwynn, an eminent Restoration actress and mistress to King Charles II. With the Restoration period as [read on]
Late Company is a new production written by acclaimed Canadian playwright and activist Jordan Tannahill that will be opening at the Segal Centre for the Performing Arts. Montreal Rampage caught up with a member of [read on]
Abstract play never comes together entirely. [read on]
We’ve got a pair of tickets to give away to see Infinitheatre’s newest production, Conversion. [read on]
Celebrate the season with Theatre La Licorne’s annual show. [read on]
Absurdist play’s sequel gets so absurd that it is difficult to follow. [read on]
Dane Stewart talks about the inspiration and method of his new play The History of Sexuality. [read on]
There’s a little game about catching pokemons that has taken Montreal and the world by storm. Find out what it’s like to play en masse here. [read on]
Another Home Invasion focuses on dementia and the difficult role of the caregiver. [read on]
McGill’s student drama organization takes on relevant topic with The Diving Bell and the Butterfly. [read on]
Many questions about life and humanity addressed in Pitaqaj’s adaptation of Notes from the Underground. [read on]
Adaption of Notes from the Underground revisits Shakespeare’s question “to be or not to be” and what it means to be human. Interview with director Simon Pitaqaj. [read on]
Popular live game in St. Henri adds a new challenge to its games with The Ultimate Mind, a chance to save the world from zombies. [read on]
A student of history and a student of classics get together to stage a contemporary retelling of the Iliad. Find out about the show here. [read on]
Production at the Leonardo da Vinci Centre doesn’t live up to its promises. [read on]
The Dora Wasserman Yiddish Theatre brings a legendary Yiddish tale of love and demon possession to the Montreal Segal Center in quite a chilling production. [read on]
Playwright Marianne Ackerman talks to Angela about putting together a play about the clash of Mile End’s new and old residents. [read on]
You’d expect more from a film taking place in a psychiatrist ward [read on]
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