Comedy Larger than Life : Review of Little Willy
Ronnie Burkett’s Daisy Theatre has a special take on Romeo and Juliet like none other. [read on]
Ronnie Burkett’s Daisy Theatre has a special take on Romeo and Juliet like none other. [read on]
Well done show raises themes about power, abuse, and sex. [read on]
Interview with Matt Enos and Michelle Cajolet-Couture about their project to bring Shakespeare to the city alleyways. [read on]
Romance, fun, frolic and lots of banter [read on]
Reviews of The Morning After the Life Before, The Detective, The Dame, and the Devil, and This is Not She. [read on]
Figure out your ideal book and author based on your birth month. [read on]
Clowns, the Apocalypse, and being stuck on a ship with Sloan’s Chris Murphy some of the things to expect at the Solos Fest. [read on]
Skinny jeans and gender balanced casting give this production a contemporary feel [read on]
Despite claims to award winning and dazzling performances, Jennifer says Giselle didn’t live up to its claims. Find out why she was meh on Giselle here. [read on]
Opera at Place des Arts has the drama of the Shakespeare original. [read on]
No set? Not a problem. With acting this good, you’re in good blood spotted hands [read on]
Macbeth is mounted every four hours in the world. Interview with director on what makes Raise the Stakes Theatre’s production special here. [read on]
National Theatre School of Canada’s rendition of Müller’s Macbeth does away with 16th century setting for a more contemporary one. [read on]
Julie Bourbonnais talks about creating the sets and costumes for The Comedy of Errors and Romeo and Juliette [read on]
Summer’s annual Shakespeare in the Park production of Twelfth Night a glorious production. [read on]
Witty, punny play is as much Shakespeare as it is The Princess Bride. [read on]
No One Like Hugh is coming to the Mainline this week. Writer Travis Martin talks about creating the play and his wild, wild life. [read on]
Joint production of Jubilee and Raise the Stakes gives the right comedic touch to Shakespeare’s Much Ado About Nothing. [read on]
When two theatre companies come together to create a show, the results are a mix of styles. [read on]
DéPFLIES is back and Peter is ready to fight for his dep. THe real question is whether or not writer and star Alain Mercieca was allowed a swordfight. [read on]
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