The Montreal artistic landscape was invigorated this summer by the arrival of the musical comedy Titanique. From June through August at Espace St-Denis’s Studio-Cabaret, this French adaptation of the American sensation transposed the original production’s infectious energy and dynamism.
Expectations were high following the success of the original version on Broadway. The premise imagined by Marla Mindelle, Constantine Rousoulis, and Tye Blue is as audacious as it is straightforward: Céline Dion was on the Titanic alongside Jack and Rose, the main characters from James Cameron’s film. The diva delivers her account of the story alongside contemporary pop culture references and suggestive humor.
If the overall narrative is familiar, many tweaks keep the audience on its toes. For instance, the Oscar-winning movie certainly does not include details like a ship captain fueled by stimulants colliding with an iceberg portrayed by Tina Turner. Special mention should also be made of the parody of Jack’s artistic projects, as actor Guillaume Borys presents sketches with a dramatic intensity that hilariously contrasts with their juvenile execution.
Laurie Léveillé’s adaptation for Quebec goes beyond translation, though, integrating elements of Québécois pop culture as well. References to Survivor Québec, the inclusion of a cardboard cutout of Julie Snyder and the allusion to the accessory retailer Bizou bring a local feel.
At the center of this successful project is Véronique Claveau. An impressionist, comedian, and singer who previously played the role in English-language productions of Titanique in Montreal and Toronto, she dominates the stage with remarkable poise.
Her crystal-clear vocal performance, marked by a brightness that carries easily over the musical arrangements, does justice to the film’s repertoire. The production’s anticipated climax, My Heart Will Go On, surpassed expectations and showcased her ability in both low and high registers.
The eclecticism of the soundtrack, beyond that of the film, added an element of surprise. Claveau, arriving on stage on foot or via a hand truck, navigates a setlist ranging from Beauty and the Beast to Who Let the Dogs Out. This variety underscores the production’s mission of paying homage to hits while keeping spectators delighted and destabilized.
The staging at the Studio-Cabaret spreads the action across two levels and two staircases, bringing effective vertical dynamism. Multicolored neon panels deliver a “techno-camp” aesthetic that contrasts with the tragic historical setting, reinforcing absurdity.
All in all, viewing Titanique is a unifying experience and audience members with an affinity for Titanic or Céline Dion and a flamboyant brand of humor will find a lot to appreciate in such a vibrant celebration of pop culture.
The Montreal run concludes on August 23, with subsequent performances at Casino du Lac-Leamy in Gatineau and Salle Albert-Rousseau in Quebec City this September. Info HERE.
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