Review
Love Lost and Love Found : Les Grands Ballets Transfigured Nights
Belgian Stijn Celis’ new masterwork shows both the perils and the rewards of two stories of true love. [read on]
Articles by Oksana Lysenko
Review
Photographing the Excess: Review of Les états inventés d’Amérique
Photographer Pierre Guimond’s film shows the dependency as well as the destructive power of American consumerism. [read on]
Review
Casse-Tête Chinois Takes International Midlife Crisis to New York
The last part of Cédric Klapisch’s trilogy brings protagonist Xavier to New York where he faces new problems in his interpersonal relationships. [read on]
Uncategorized
Photojournal: Red Carpet for Casse-Tête Chinois
Director and Writer of Casse Tête Chinois Cédric Klapisch came to the red carpet event. [read on]
Review
The Eye of the Abused. Tom à La Ferme Review.
Dark and documentary-like, Xavier Dolan’s new film pits a homosexual man against his cruel and inhumane abuser. [read on]
Uncategorized
Photojournal: Red Carpet for Tom à la Ferme
Photos of the actors and actresses for the new film arriving at the premiere. [read on]
Review
Psychological-Thriller Enemy Delves Into The Shadow Side
New film by Denis Villeneuve is a masterpiece of duality that looks at human nature’s dark side. [read on]
Uncategorized
Photolog: Coming and Going in Rehearsal
Light, movement, spoken word, and water all combine to create this dynamic piece featuring five dancers. Oksana Lysenko captured this rehearsal. [read on]
Interview
The Kantian Choreographer. Morin-Robert’s Coming and Going.
Contemporary dance work Coming and Going uses light, spoken word, and movement to create an integrated performance. [read on]
Uncategorized
Photolog: Lanterns on the Lake Show
The haunting melancholy of Lanterns on the Lake captured on film. [read on]
Hear
Making Melancholy More Beautiful. Lanterns on the Lake Interview
Hazel Wilde talks about songwriting, the relationship between current events and lyrics, and the history of Lanterns on the Lake. [read on]
Review
Le Capital Breaks with Conventional Evil-Banker Motif
Costa-Gavras’ film shares much in common with Wall Street, but the emotional maturity of the protagonist gives this film a different flavour. [read on]