Fantasia 2019: Swallow [Review]
The Fantasia International Film Festival is recognized for screening some unique and risky films to their dedicated and passionate moviegoers. Most of the programming [read on]
Articles by Steven Lee
Fantasia 2019: Daniel Isn’t Real [Review]
Let’s all be real here. Having an imaginary friend is actually quite terrifying. That feeling of being controlled and/or tormented by another spiritual being would be [read on]
Fantasia 2019: House of Hummingbird [Review]
What’s great about the Fantasia International Film Festival is that there’s always going to be some films from other countries that moviegoers might be interested in [read on]
Fantasia 2019: Freaks [Review]
Have you ever seen a movie that is absolutely phenomenal, yet it’s best for moviegoers to not know too much about the premise before seeing it? Freaks is one of those rare [read on]
Fantasia 2019: Come to Daddy [Review]
It’s a little hard to describe Come to Daddy as a movie itself, but it’s most certainly a genre film. It is Ant Timpson’s directorial debut after producing titles such [read on]
Fantasia 2019: The Wretched [Review]
The Fantasia International Film Festival will always have some fun, surprising and/or crazy films for their passionate moviegoers to look forward to, no matter what. Arguably [read on]
The Dead Don’t Die: Too many cooks…
When you hear the premise and concept of The Dead Don’t Die for the first time, it actually sounds like a great and ambitious idea for an entertaining zombie popcorn flick [read on]
Stockholm: The story of Stockholm Syndrome on the big screen
Ethan Hawke and Noomi Rapace star in this new film recounting a Swedish bank heist.
Hellboy: Not the third instalment, but it’s something
After Guillermo Del Toro made two great films with Ron Perlman as the beloved Hellboy, many fans have been wanting to see the third instalment in the series. Unfortunately, [read on]
The Dirt: Mötley Crüe’s backstory on the big screen
Mötley Crüe is recognized to be one of the most influential and notorious bands in the world, and it was only a matter of time before their fans got a biopic of this group. [read on]
Five Feet Apart: Clichéd from the get go
Honestly, young adult novel adaptations tend to be uninspired films. Granted, The Fault in our Stars, Love, Simon and The Hate U Give are some great exceptions, but the rest [read on]
The Man Who Killed Hitler and Then the Bigfoot: Wasted potential
There’s one thing we can all agree on: The Man Who Killed Hitler and Then the Bigfoot is a pretty weird and long name for a movie. This is one of the hardest films to do a [read on]
Bumblebee: Michael Bay-free and flourishing
The franchise’s new instalment is a refreshing step in a new direction, featuring Hailee Steinfeld and John Cena.
Best F(r)iends: Volume 1 Review
It’s been a decade since we last saw both Tommy Wiseau and Greg Sestero on screen together for the hilarious masterpiece known as The Room. It was released in 2003, but [read on]
Review: Bohemian Rhapsody
Bohemian Rhapsody doesn’t sound like it’s an easy movie to make, but the result is quite satisfactory. As a biopic of the legendary rock band Queen, it mainly focuses on [read on]
Review: The Nutcracker and the Four Realms
Now that Halloween is officially over, it’s time to get ready for the holiday season! Disney has been making a lot of live-action adaptations of their properties lately, [read on]
Film Review: The Hate U Give
Can we start by saying that Amandla Stenberg’s lead performance in The Hate U Give is absolutely phenomenal? Based on the best-selling book written by Angie Thomas, the [read on]
FNC 2018: Climax [Review]
Gaspar Noé is known to be one of the most divisive filmmakers in the industry. Whether you like or hate his movies, that’s up to you. His latest film Climax, which just [read on]
FNC 2018: Holiday [Review]
Full disclosure: Holiday is not for everyone. It is very graphic in some scenes, and it will make you uncomfortable. This is the directorial debut of Isabella Eklöf, and [read on]
FNC 2018: Thunder Road [Review]
Thunder Road is one of those films that successfully combines drama and humour so well, even if the premise is devastating for its main protagonist. After its screening at [read on]