The Neon Demon: A Dark Party with Messed-Up Dolls
A sleek, colourful Los Angeles shows its darker side in Nicolas Winding Refn’s horror film.
A sleek, colourful Los Angeles shows its darker side in Nicolas Winding Refn’s horror film.
David Farrier’s documentary delves into the curious and sometimes dark world of tickle festish videos.
Nanni Moretti’s new film sees a woman struggle in her role as filmmaker and as daughter to a dying mother.
Interview with master story teller, Jon Bennett, about life as a traveling performer.
Terence Davies’ film explores the relationship of a family in the Scottish countryside, but lacks depth.
Some stars to watch for on the streets of Montreal this summer thanks to the features filming on the streets of our city.
Reviews of Dramaking, Mutement, A Perfect Picture, the No Bull$#!% History of Invention, and Rocket to Fame
Dance performance combines the life of Pearl S. Buck with Chinese concepts.
Jon Bennett Aussie Rules (Playing with Men), and Tales You Lose reviewed here.
Interview with Australian burlesque star, Becky Lou, on why she’s ending her decade-long career.
Shake, Love and Pasties Miss S, The Mysteries of the Unseen World of the Clavis Argentum, Saor (free), and Me The Queen and a Coconut reviewed.
Amy Berg’s new documentary depicts the successes and hardships of Janis Joplin’s life.
Bushel and Peck, Thunderfoot, Captain Aurora, Falling Awake, and Jem Roll’s Get Lost reviewed.
Our fourth round of Fringe Festival reviews: Self Exile, The Cockwhisperer, Get Your Shuffle On, Naked Ladies, and Sitting in Chairs at the Gates of Valhalla.
When the James half of James and Jamesy writes his own show, the thinks big and small. Literally.
Round three of the Fringe Festival reviews with A Perfect Picture, Bizarro Obscure, Messy Bitch, Sexpectations, and Does Not Play Well With Others
Five shows reviewed by our team: Caisse 606, Bedrock Burlesque, Honesty Rents by the Hour, ATM the Musical, The Passage
A truly remarkable feature that blends a cult classic with live soundtrack by Will Eizlini and L’Ensemble Eta Kooram Nah Smech with conductor Spike Taylor.
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