Trevor Barrette Brings Out the Bard for His New Musical
Montreal has a new musical out this week about a young man coming to terms with his sexual orientation. We talk to playwright and director Trevor Barrette about the show.
Montreal has a new musical out this week about a young man coming to terms with his sexual orientation. We talk to playwright and director Trevor Barrette about the show.
Growing up in the hometown of Shania Twain is hard enough. Now add to that being the new kid at school and having a glass eye…
First time playwright Michael Martini explores the complexity of female ambition and the relationship between Glamour and Mental Illness in two new plays.
The ever-growing Bouge d’Ici festival gives emerging movement artists and dancers a chance to showcase their talents and enjoy the fruits of mentorship.
In a play that blurs the line between fact and fiction, Anthony Johnston and Nathan Schwartz talk about the relationship between lies, pranks, and art.
Ingrid Hansen talks about creating the play Little Orange Man and why they ditched the Disney and kept the grandfather.
Sweet Talking Liars drummer Richard Sychterz talks about how the band got started and their plans to record a new album in 2014.
Caroline Brooks explains why Christmas has special meaning for the Good Lovelies.
Leah Fay of July Talk tells us that shows in Montreal make her nervous. Want to know why?
Visual and new media artist Jennifer Chan curates .gifs by 25 international artists as part of .dpi 28 Gender(ed) Culture on the Internet launch.
Briggite Naggar interviews Assistant Director MIchèle Robinson about her experience with Cloud 9, a Victorian theatre piece about sex and identity.
Adam Reider’s new short film Remain Calm is 62% 100% of its way to being funded on Kickstarter. I want to make sure it reaches its target.
Sarah Segal-Lazar talks to us about fundraising with Tidbits from Talk, Music from Mackerel, a theatrical radio variety show featuring her beloved character Leslie Moira Duncanaine.
Alison Darcy explains the psychological forces that underpin the characters’ motives in the joint Segal Centre and Scapegoat Carnivale Theatre production of Othello.
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