On Creativity and Going Bald: An Interview with The Balding’s Jeff Gandell
Jeff Gandell talks about his remount of The Balding, as well as the process of writing and creating the show.
Jeff Gandell talks about his remount of The Balding, as well as the process of writing and creating the show.
Colin Lalonde, founder and artistic director of Studio Porte Bleue, talks about why he showcases non-traditional theatre works in a non-traditional space in St. Henri.
Bishop and Bagg says Tally-Ho to Mile End Hipsters with warm ambiance, good food and drink.
Long-form bilingual Montreal comedian Derek Seguin is taking St. Patrick’s day back.
Can the boys pull it off as good as the girls?
Dance to some DJ beats and have your senses stimulated at the benefit for the Foundation of the Rehabilitaion Center Lucie-Bruneau
Julian Stamboulieh started his production company in order to make a web series one day. LARPers the Series is his company’s first production.
Corrina Rose talks about her travels as a solo artist on Via Rail and the latest stage of her musical journey releasing her album Northeast Southwest.
Digital currency Bitcoin has lost some value, both economic and trustability, in the wake of theft. Does this prove the currency is just a libertarian ponzi scheme?
Andres Roget turns his camera to Montreal bands Reliefs and PROTOFIEV.
Winter refuses to end, but there’s no reason to suffer needlessly. A few products from Carriage 44 can turn the home bathroom into a home spa.
Bad boy Jeremy Hetchman talks about creating an authentic speakeasy in Montreal with a bathroom built for three.
Casa del Popolo was the perfect intimate setting for the This Many Boyfriends Club, Dreamend, The Stargazer Lillies, and The Casket Girls
Light, movement, spoken word, and water all combine to create this dynamic piece featuring five dancers. Oksana Lysenko captured this rehearsal.
Food reviewer Annie Shreeve checks out Plateau noodle house Tampopo and reports back on its welcoming atmosphere and delicious dishes.
Natalie Reis challenges viewers with less narrative work while addressing themes about motherhood and women’s role in art history.
How Sad began as a bedroom project and evolved into something better. Harris Shper talks about how the dancey, upbeat band with the gloomy name got started.
Contemporary dance work Coming and Going uses light, spoken word, and movement to create an integrated performance.
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