Parasite: Best of 2019
At this point, it should be no surprise that Bong Joon Ho is known as one of the best filmmakers in the industry after making some amazing flicks such as Memories of Murder, [read on]
review
Film Review: Just Mercy
Just Mercy is a movie that wants to convey its compelling premise to many people. There are so many films that have been based on true stories, and they’re admittedly not [read on]
The Kindness of Strangers: Holiday flick that misses the mark
The cynic in me suspects that The Kindness of Strangers started out as one film and became something else, just to cash in on the holiday movie rush. It’s too bad, because [read on]
Film Review: American Dharma
Errol Morris is a respected American filmmaker who, over the course of his long career, has produced, directed, and written an array of important, unique, and thought [read on]
FNC 2019: Mickey and the Bear [Review]
The Festival du nouveau cinéma is a terrific event for filmmakers to showcase both their talent and passion on the big screen. Annabelle Attanasio, known for appearing in [read on]
FNC 2019: Colour Out of Space [Review]
Have you ever seen a movie that you would ultimately describe as a beautiful mess? That is pretty much Richard Stanley’s new feature titled Colour Out of Space. Based on H. [read on]
FNC 2019: Nail in the Coffin: The Fall and Rise of Vampiro [Review]
First and foremost, it’s important to mention that Nail in the Coffin: The Fall and Rise of Vampiro is not necessarily a movie about wrestling — it’s actually a [read on]
FNC 2019: Little Joe [Review]
For a movie like Little Joe, it’s a little hard to fully describe the intriguing nature of its premise, and that’s actually a compliment. Written and directed by Jessica [read on]
Fantasia 2019: Swallow [Review]
The Fantasia International Film Festival is recognized for screening some unique and risky films to their dedicated and passionate moviegoers. Most of the programming [read on]
Fantasia 2019: Daniel Isn’t Real [Review]
Let’s all be real here. Having an imaginary friend is actually quite terrifying. That feeling of being controlled and/or tormented by another spiritual being would be [read on]
Fantasia 2019: House of Hummingbird [Review]
What’s great about the Fantasia International Film Festival is that there’s always going to be some films from other countries that moviegoers might be interested in [read on]
Fantasia 2019: Freaks [Review]
Have you ever seen a movie that is absolutely phenomenal, yet it’s best for moviegoers to not know too much about the premise before seeing it? Freaks is one of those rare [read on]
Fantasia 2019: Come to Daddy [Review]
It’s a little hard to describe Come to Daddy as a movie itself, but it’s most certainly a genre film. It is Ant Timpson’s directorial debut after producing titles such [read on]
Fantasia 2019: The Wretched [Review]
The Fantasia International Film Festival will always have some fun, surprising and/or crazy films for their passionate moviegoers to look forward to, no matter what. Arguably [read on]
Review: Where’d You Go, Bernadette?
The new film Where’d You Go, Bernadette? was co-written and directed by Richard Linklater (Boyhood, Before Sunset) and stars Oscar winning actress Cate Blanchett (Blue [read on]
Stockholm: The story of Stockholm Syndrome on the big screen
Ethan Hawke and Noomi Rapace star in this new film recounting a Swedish bank heist.
Film Review: If Beale Street Could Talk
One of the best things about period films set in turbulent times in American history (Selma, The Long Walk Home) is that modern audiences are pushed to see how far things [read on]
Image + Nation Fest: The Fruit Machine Review
Documentary Reveals Discrimination in Canada’s Military
Review: Bohemian Rhapsody
Bohemian Rhapsody doesn’t sound like it’s an easy movie to make, but the result is quite satisfactory. As a biopic of the legendary rock band Queen, it mainly focuses on [read on]
FNC 2018: Holiday [Review]
Full disclosure: Holiday is not for everyone. It is very graphic in some scenes, and it will make you uncomfortable. This is the directorial debut of Isabella Eklöf, and [read on]