José Navas celebrates love and resilience with AVES!
Moving tribute to dancer’s deceased partner created through a series of solos. [read more]
Moving tribute to dancer’s deceased partner created through a series of solos. [read more]
Dance Company Theaterhaus Stuttgart, under the artistic director of Quebec’s own Eric Gauthier, wowed Montrealers with two reinterpretations of Swan Lake, by Marie Chouinard and Hofesh Shechter respectively, as well as a classic by “Mr. [read more]
Jakie the hit in the Nederlands Dans Theater show [read more]
Imagine, if you will, that the replicants from Blade Runner mated with members of the South African band Die Antwoord (specifically in their video I fink u freeky), and their offspring went back in time [read more]
Kidd Pivot Kidd Pivot’s Assembly Hall offers both a glimpse into the arcane world of medieval re-enactment and, more so, an in-depth exploration of human universality: what brings us together, what keeps us apart, the [read more]
Pina Bausch’s 1989 masterpiece Palermo Palermo is a Felliniesque portrait of life in the Sicilian city. Like Fellini’s films (Roma comes to mind), Bausch’s work is less focused on constructing a concrete narrative, and more [read more]
Watching Marie Chouinard’s latest creation, “M,” is like having a fever dream where AI teaches cute mechanical dolls how to dance like humans. [read more]
Danse Danse launched its 25th season this week with a revival of the late great Pina Bausch’s Rite of Spring. Originally created in 1975 for her world-renowned Tanztheater Wuppertal, Bausch’s choreography captures both the brutality [read more]
The Nederlands Dans Theater (NDT) is world renowned for the virtuosity and versatility of their dancers, as well as their collaborations with the most illustrious choreographers on the international modern dance scene. Any opportunity to [read more]
Winter is long and hard. It sucks. Finding out that your significant other has ditched you for another and that you must leave your cozy home to wander, grieving and alone, forevermore, until you sink [read more]
In her latest work, Radicale Vitalité, Solos et Duos, Marie Chouinard walks a bunch of fine lines: pleasure vs. pain, laughter vs. tears, love vs. strife, sanity vs. insanity, animal vs. machine, functional vs. dysfunctional. [read more]
In 1836 the Russian author Nikolai Gogol wrote a play called The Revisor in which not only the corruption but also the profound lack of humanity of government bureaucracies are exploited as farce. In Kidd [read more]
Nancy Berman reviews A Love Supreme by Anne Teresa De Keersmaeker and Salva Sanchis, presented by Danse Danse. [read more]
In Sidi Larbi Cherkaoui’s Sutra, 19 Shaolin monks from an ancient temple near Dengfeng, China, perform hair-raising feats of martial prowess honed over a lifetime of devotion to daily practice of kung fu and tai [read more]
I have never seen anything like this. The stage is hung with long white translucent panels. Just in front of the stage, a candle burns on a sort of shrine. On each side of [read more]
Many years ago I met a young man from Tel Aviv. I asked him what it was like to live in a place where bombs regularly go off in night clubs, pizza parlors, and crowded [read more]
When was the last time you took a good look at Hieronymous Bosch’s early 16th-century painting “The Garden of Earthly Delights?” I mean, really looked at it, at all the bizarre details: the guy with [read more]
“Until the lions have their own historians, the history of the hunt will always glorify the hunter.” In Akram Khan’s new work, Until the Lions, he explores the tension between hunter and hunted, predator and [read more]
Nancy Berman reviews Ohad’s mindblowing “Last Work,” for Batsheva Dance Company, part of the Danse Danse season. [read more]
Thanks to Danse Danse, for the first time in 20 years, the Nederlands Dans Theater (NDT) is back in Montreal, with a stellar triple bill line-up featuring two works choreographed by the NDT’s own Sol [read more]
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